(Photos by Caitlin Cunningham)

For I Have Sinned

New book by University Historian James O'Toole tracks
the rise and fall of Catholic confession in America

For generations, American Catholics regularly went to confession, a sacred rite that offers a way to reconcile with God and the Church. But starting in the 1970s, they stopped, and in his new book, For I Have Sinned: The Rise and Fall of Catholic Confession in America, University Historian James O鈥橳oole investigates why.

Sprinkled throughout with stories and first-hand accounts of confession from lay people and priests alike, For I Have Sinned recounts shifting perspectives and policies on a practice that is a distinguishing marker for Catholics鈥攁 way to measure and acknowledge a person鈥檚 sins.

For I Have Sinned was born of a separate project of O鈥橳oole鈥檚, a book about an interracial family that included a number of priests and sisters, among them a Jesuit priest named Patrick Healy. Fr. Healy, O鈥橳oole discovered, kept meticulous records of confession in his parish, adding up totals every week and every month.

鈥淔r. Healy typically heard confessions on Saturday afternoons and evenings, and he kept the pace in his diary,鈥 O鈥橳oole explained. 鈥淗e鈥檇 write things like 鈥楾oday was slack at only 88 confessions.鈥欌

The records showed O鈥橳oole that confession鈥攁 practice conducted in private鈥攚as possible to research.

鈥淚 was able to chart the decline of confession by looking at the times parishes set aside on a regular basis to hear confessions. At the typical parish in the early 20th century, there鈥檇 be five or six hours available on a Saturday.

鈥淏ut priests aren鈥檛 going to sit in the box if no one is coming. So you can look at the decline of confession as those hours shrink.鈥

For example, where in the late 1950s and 1960s a church might hear confessions throughout the day on Saturdays, today that same church might only schedule confessions for one hour. And where the number of confessions heard weekly by a priest in that time might have totaled in the hundreds, nowadays that number is more likely to be counted on one or two hands.

Jim O'Toole in Bapst Library

For I Have Sinned by James O'Toole invites the reader to consider how Catholics can continue to understand and express their ideals even as the Church evolves.

Once he started looking, O鈥橳oole found more and more sources that documented confession, like church pamphlets and catechisms. According to O鈥橳oole, these are the types of sources that are everywhere and then nowhere. Luckily, Boston College鈥檚 John J. Burns Library has extensive holdings, particularly in its Liturgy and Life Collection.

鈥淩unning into things like Fr. Healy鈥檚 diaries and the times a church has set aside for confession showed it was possible to write about the subject. And the sources that are available for this in the Burns Library are absolutely terrific.鈥

But more than data points, the confessional records also offered a window into what laypeople were doing, and O鈥橳oole wanted to find out why they chose, or chose not, to go to confession.

As O鈥橳oole explains, going to confession, while a defining part of Catholicism, was always hard: not only because of the embarrassment of seeing one鈥檚 neighbors while sharing wrongdoings, but also because sin is so intricately defined that it can be difficult to articulate in the confessional.

Still, O鈥橳oole is hesitant to say anything is inevitable, including the decline of confession. Instead, he points out what changed: the emergence of psychology, the Church鈥檚 stance on contraception, an evolving sense of sin, and recognition of sexual abuse, among other nuanced factors. He also notes that at risk of loss is a framework for assessing individual behavior, good and bad.

O鈥橳oole happily points out though, that as a historian, it鈥檚 not his job to figure out where the Catholic Church should go from here. Right now, he鈥檚 pleased to have finally completed the book.

鈥淚t feels great to be finished,鈥 he shared. 鈥淚鈥檝e been thinking about this project for a long time.鈥

For O鈥橳oole, the most enjoyable part of a project like For I Have Sinned is the historical, archival work. But perhaps a particularly poignant moment of his research was returning to his childhood church to compare current practice with his memories.

鈥淏ack then, two or three priests heard confessions for five hours on Saturdays,鈥 O鈥橳oole reflected. 鈥淭oday, there is one priest and only one hour for confessions.鈥

In the hour O鈥橳oole spent visiting, just four people confessed. But there were encouraging signs鈥擮鈥橳oole saw that the school was expanded, and the church itself was in very good condition.

While O鈥橳oole is not in the business of forecasting the future, that is where For I Have Sinned ends: inviting the reader to consider how Catholics can continue to understand and express their ideals even as the Church evolves.